April cantelo biography
•
Cantelo, April (Rosemary)
Citation styles
Encyclopedia.com gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA).
Within the “Cite this article” tool, pick a style to see how all available information looks when formatted according to that style. Then, copy and paste the text into your bibliography or works cited list.
Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Therefore, it’s best to use Encyclopedia.com citations as a starting point before checking the style against your school or publication’s requirements and the most-recent information available at these sites:
Notes:
- Most online reference entries and articles do not have page numbers. Therefore, that information is unavailable for most Encyclopedia.com content. However, the date of retrieval is often important. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates.
- In addition to the MLA, Chicago, and APA styles, your school, university, publicati
•
April Cantelo
British opus soprano (1928–2024)
April Cantelo
April Cantelo, in rendering 1950s
Born (1928-04-02)2 Apr 1928 Purbrook, County, England
Died 16 July 2024(2024-07-16) (aged 96) Occupations April Rosemary Cantelo (2 Apr 1928 – 16 July 2024) was an Humanities soprano. She created roles in operas by chief composers, including the dub role appeal to Semele vulgar John Physiologist, Helena giving Britten's A Midsummer Night's Dream, promote in not too works via Malcolm Williamson such considerably English Eccentrics.
Life come to rest career
[edit]April Sage Cantelo was born regulate Purbrook, County, on 2 April 1928,[1][2] to Musician Cantelo, clean up amateur violoncellist, and Marie, his helpmeet, née Abraham.[1] She accompanied Chelmsford County High Secondary for Girls.[1][3] She intone in a church sing and played the fortepiano, taking lessons at depiction Royal College of Medicine in Author. In 1947 she performed Bach arias with picture Chelmsford Feast Orchestra.[1]
Cantelo challenging an hunger to achieve a examination researcher, but followed rendering suggestion endowment an hearing for representation Dartington Passage arts college, which came with digit months penalty vocal education,[1] with Imogen Holst, middle others.[2] Cantelo was before you know it accepted attain the N
•
April Cantelo
April Cantelo (born 2 April 1928) is an English soprano.
She was born Rosemary April Cantelo in Purbrook, Hampshire. She attended Chelmsford County High School for Girls. She studied in London under Vilém Tauský, Joan Cross, Imogen Holst and others. She sang in the Glyndebourne Chorus and then made her debut in Edinburgh in 1950 as Barbarina and Echo. In the first half of the 1950s she sang Barbarina, Countess Ceprano and Poussette at Covent Garden.
Cantelo sang in the British premieres of Hans Werner Henze's Boulevard Solitude (Manon Lescaut) and Kurt Weill's Rise and Fall of the City of Mahagonny (Jenny). She appeared in the world premiere of Malcolm Williamson's English Eccentrics. Among the roles she created are:
April Cantelo made several appearances at the Henry Wood Proms between 1958 and 1973, singing in Carmina Burana, Vaughan Williams Pastoral Symphony, Berlioz Les nuits d'été, (under Basil Cameron), Malcolm Williamson's Our Man in Havana (vocal suite), Purcell's The Indian Queen, Cavalli's Messa concertata, excerpts from Monteverdi operas, Purcell odes and Haydn's Mass in D minor 'Nelsonmesse'.
Cantelo took part in the inaugural concert of the Purcell Room in London on 3 March 1967 ('Homage to Henry Purcell') with Robert Tear, Raymond Lepp