Bessie smith full biography of nicki
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As we celebrate Black History Month, let’s reflect on one of the most culturally significant time periods of African American history: the Harlem Renaissance.
I have always been interested in the Harlem Renaissance, stemming from reading Their Eyes Were Watching God by Zora Neale Hurston when I was in high school. I followed that up with reading the beautiful biography by Valerie Boyd, Wrapped Up in Rainbows: The Life of Zora Neale Hurston. I was so impressed by the life and writing of Hurston, and what it meant for her to be such a prominent figure in the Harlem Renaissance. Before I knew it, I was exploring more. Having already been introduced to jazz music in middle school, I knew the genius of Duke Ellington, Louis Armstrong, and Billie Holiday. What I didn’t know, however, was the extent of their contribution to the Harlem Renaissance movement and all the other art, music, and writing that was being created during the 1920s and 30s in the cultural epicenter that was Harlem.
If you are looking for some authors, artists, musicians, and other prolific people of the Harlem Renaissance to get you started on your search for learning more about this historic time of rebirth for the African American culture, check out some of my suggestions below. ItR
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Bessie Smith
Home » Jazz Musicians » Bessie Smith
“Empress of the Blues”
She embodied the meaning of the blues, living the life she sang about. Bessie Smith set the standard for blues singers on how it should be done.
Bessie Smith, born on Apr. 15, 1894, in Chattanooga, Tennessee, was one of ten children. Her parents died by her eighth birthday, and she was raised by her older sister Viola. She was taught to sing and dance by her older brother Clarence, who later arranged an audition for Smith with the traveling Moses Stokes Show where she was hired as a dancer in 1912. She became friends with Gertrude "Ma" Rainey, a blues singer, who became her mentor. Bessie was quick to learn the profession, and by 1915 struck out own her own, singing in a vaudeville circuit and started establishing a reputation in the south and on the east coast.
By 1920 she had become quite the star, and continued to work the crowds, blending a touch of comedy, sense of drama, with a down home sense of delivery from her powerful voice. Her popularity led to the inevitable recording contract, and on February 16, 1923, she recorded "Gulf Coast Blues" and "Down Hearted Blues," for Columbia accompanied by Clarence Williams on piano. Written and recorded by Memphis singer Alberta
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