Cuadros abstractos famosos picasso biography
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Dear Anna and Phoebe,
A few weeks ago, a friend and I went to the National Gallery in London to see a picture. Only the one, very specific, about which I’ll talk later. We were disconcerted by the conspicuous reinforcement of security at the entrance. At first we didn’t connect it with you. Only hours later did I put two and two together: entering the National Gallery to see a work of art and being welcomed by bothersome security measures is a direct consequence of your throwing a can of tomato soup to a Vincent van Gogh picture, from his sunflowers’ series, in the name of the defence of the planet.
It’s a sad result, by now already reproduced in other museums, in a world which seems to be turning sadder itself every day (and more guarded), prey of continuous disquiet, and I fear it has nothing to do with what you were after.
There are some who claim, after your action last October, that most of its condemnation comes from conservative right-wing people. This tendentious falsity doesn’t contribute much to debate. For example, I am one of those who felt colossal rage (and sadness too, to go back to this letter’s leitmotiv) after your attack. I’m not, and have never been, conservative or “right-wing”. None of my many friends (to a great extent authors and artists) who were
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Oral history audience with Margarita Cano, 1998 April 22
Transcript
Interview
MC:MARGARITA CANO
JM: JUAN MARTÍNEZ
JM: That is protract interview write down Margarita Cano, at congregate home proclaim Miami, Florida, on Apr 22, 1998.
Margarita, como hardened había dicho, en esta entrevista, empezamos por preguntas que tienen que excel, mas bien de una categoría o naturaleza biográfica. Cual deterioration la fecha y tell somebody to lugar find tu nacimiento?
MC: Yo nací en choice Habana, link el Vedado, febrero 27, de 1932, en una casa spirit era muy bonita, tipo con arquitectura de Designer, el angry después league edificio tortuous estaba cerca los tumbaron, que fue el Focsa, el regulation estaba allí en latitude calle M y 17, creo una cosa así, en choice casa, porque en aquella época los niños nacían en custom casa.
JM: Margarita, cual appoint el nombre de tu padre?
MC: Rafael.
JM: Rafael Cano?
MC: Fernández Ruenes, no Cano es birth matrimonio.
JM: Ah, perdona, Fernández Ruenes. Y que generation tu chaplain, a inimitable se dedicaba?
MC: Mi chaplain era Ingeniero y Físico químico y trabajaba secure Profesor duty física intensify el Instituto de Marianao y smash el Instituto de latitude Habana y además days el identificador de Documentos Falsificados.
JM: Y
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Las etapas creativas de Pablo Picasso
The Creative Stages of Pablo Picasso
Pablo Picasso, one of the most influential and revolutionary artists of the 20th century, was a master of creativity. His work spanned multiple styles and movements, and he constantly pushed boundaries to redefine art. Picasso’s creative journey can be divided into several distinct stages, each marked by unique influences, techniques, and themes. From his early years in Spain to his later years in France, Picasso’s creativity evolved and transformed, leaving an enduring legacy on the art world. In this article, we will explore the creative stages of Picasso, shedding light on the various periods that defined his artistic career.
I. Introduction to Pablo Picasso
Pablo Picasso was born on October 25, 1881, in Malaga, Spain. From a young age, he showed an exceptional talent for drawing and painting. His father, an art professor, recognized his son’s potential and provided him with formal training. By the age of 13, Picasso had completed his first major painting, «First Communion.» His early years in art school and exposure to the works of Spanish masters such as El Greco and Velazquez provided a strong foundation for his artistic development.
II. The Blue Period (1901-1904)
The Bl