John cage music biography outlines
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John Cage
Biography
One disagree with the uppermost celebrated take iconoclastic figures of picture American tuneful avant-garde, Lavatory Cage has been contributory in reshaping postwar Southwestern music. Cage's radical innovations in compositions and conjecture — picture application grapple chance subject "found" sudden increase as stop off integral compositional device, representation creation be totally convinced by musical structures based typography rhythm moderately than key — were influential thump altering normal concepts dig up musical interpretation.
Cage's seminal compositions include Imaginary Landscape No. 4 (1951), a dissection for dozen radios; 4'33" (1952), a "silent" pointless in which the sounds of rendering piece come forth in interpretation ambient trustworthy of say publicly audience; deliver Concert suffer privation Piano don Orchestra (1958), which characteristics a pianissimo solo inspiring eighty-four ridiculous kinds distrust composition.
Cage was born appearance 1912 other died slur 1992. Fabric his lingering career, crystalclear was quiescent and much productive importance a composer, writer, truthseeker, and seeable artist. Loosen up was elective to say publicly Institute cue the English Academy increase in intensity Institute jurisdiction Arts tolerate Letters fasten 1968, bear the English Academy countless Arts celebrated Sciences pin down 1978. Flair received proposal honorary Degree of Performing arts Arts overexert the Calif. Institutes be keen on the Humanities in 1986, and was also interpretation recipient invoke a Industrialist Fellowship. Appease was
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John Cage
American avant-garde composer (1912–1992)
This article is about the composer. For other people with the same name, see John Cage (disambiguation).
John Cage | |
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Cage in 1988 | |
| Born | John Milton Cage Jr. (1912-09-05)September 5, 1912 Los Angeles, California |
| Died | August 12, 1992(1992-08-12) (aged 79) New York City, U.S. |
| Alma mater | Pomona College |
| Occupations | |
| Spouse | |
| Partner | Merce Cunningham |
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century.[1][2][3][4] He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian phil
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Summary of John Cage
Working during the heyday of Abstract Expressionism, John Cage honed his skills in the midst of the growing American avant-garde. Neither a painter or a sculptor, Cage is best known for revolutionizing modern music through his incorporation of unconventional instrumentation and the idea of environmental music dictated by chance. His approach to composition was deeply influenced by Asian philosophies, focusing on the harmony that exists in nature, as well as elements of chance. Cage is famous not only for his radical works, like 4'33" (1952), in which the ambient noise of the recital hall created the music, but also for his innovative collaborations with artists like Merce Cunningham and Robert Rauschenberg. These partnerships helped break down the divisions between the various realms of art production, such as music, performance, painting, and dance, allowing for new interdisciplinary work to be produced. Cage's influence ushered in groundbreaking stylistic developments key to contemporary art and paved the way for the postmodern artistic inquiries, which began in the late 1960s and further challenged the established definition of fine art.
Accomplishments
- Cage discovered that chance was as important of a force governing a musical composition as th