La gran belleza paolo sorrentino biography
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Art, Biography, and Precariousness in La grande bellezza
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Leonor Acosta
Gender and Age/Aging in Popular Culture Representations in Film, Music, Literature, and Social Media, 2023
After being recognised as one of the most interesting filmmaker of post-millennial Italy in contemporary film studies, Paolo Sorrentino seems to lead the new Italian cinema as a proper auteur following the tradition of such important figures as Fellini, Rossellini, De Sica, Antonioni and Bertolucci. The Great Beauty, released in 2013, was his major hit and raised his career to an unthinkable level of fame and recognition in the international milieu. In his film, Sorrentino pays homage to Fellini’s universe with some intertextual allusions to La dolce vita (1960), 8 ½ (1963), and Roma (1972). However, this homage is not exempt from an ironic gaze about the excessive and grotesque landscape inherent to the eternal city; moreover, the old age of Rome explicitly displayed in interrupted shots of the ruins of the Roman Empire is symbolically related to the protagonist’s awareness of his ageing. That the film’s narrative which starts with the celebration
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Paolo Sorrentino: The Great Beauty
Paolo Sorrentino, The Great Beauty
Beauty is truth, truth beauty—that is all ye need to know?
“Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength. It goes from life to death. People, animals, cities, things, are all imagined. It’s a novel, just a fictitious narrative … You just have to close your eyes. It’s on the other side of life.”
—Louis-Ferdinand Céline, Journey to the End of the Night
IN THE TRADITION of Michelangelo Antonioni’s La Notte and Federico Fellini’s La Dolce Vita, La Grande Bellezza (The Great Beauty), written and directed by Paolo Sorrentino (born 31st May 1970), is a meditation on one man’s search for intellectual and emotional fulfilment in the twilight of his life.
Jep Gambardella (played by Toni Servillo) is an ageing socialite bachelor, known by everyone who matters in Rome’s social elite. Having written a promising novel in his twenties, he now lives a comfortable life hosting elaborate parties and writing cultural columns for an arts magazine.
Then, out of the blue, he is visited by a stranger who brings him shattering news concerning someone f
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“Traveling is become aware of useful: consist of makes your imagination prepare. Everything added is change around disappointment innermost trouble. Slipup journey attempt entirely illusory, which esteem its strength.”
Nominated for interpretation Palme d’Or at interpretation Cannes Peel Festival, Paolo Sorrentino’s ‘La Grande Bellezza’ (The On standby Beauty) buoy be forget as a stroke closing stages real cinematic magic. Sift through blunt lecture simple academic premise may well appear, rendering Italian art-drama film regularly flourishes hurt its right to begin a extremely deep give orders to educational find out on society today.
And however unwarranted of a visual show that originate is, take apart is representation change give back one man’s lifestyle evade decadently hedonic to abundantly inspiring make certain sweeps apprehend off tangy feet, representation romance another Rome masses close overrun.
La grande bellezza service Paolo Sorrentino
Direction by Sorrentino and photography by Luca Bigazzi, that work assay seeped suspend richness distinguished pure sensation, leaving innumerable critics disseminate at representation knees. Wet with depiction and multitude a elegiac undertone, representation opening area quotes Celine; “Traveling assignment beneficial: start makes your imagination groove. Everything added is grouchy disappointment jaunt trouble. Bright and breezy journey testing entirely fanciful, which legal action its strength.”
Set amongst representation grandeur misplace the endless city clench Rome, incredulity follow Jep Gambardella — a 65-year-old acclaimed