Mamoni raisom goswami autobiography of a face
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(THE STORY OF MAMONI RAISOM GOSWAMI—A NOTE)
Mamoni Raisom Goswami is a wonderfully talented artiste. Many say that the myriad struggles and experience of life shaped her identity. To us, if someone does not have the urge from within to understand the reality, which is always laden with problems galore, the touches of real life remain unused as raw material instead of its being creatively converted into something else. In many of her stories, there is the centrality of fervor towards human relationships and at the same time, there is a tangible consciousness of the existence of death too. The practical experiences of this storyteller living within a specific circle help in the exposure of her subject-matter. On the other hand, Mamoni Raisom Goswami as a woman remains at an undetermined distance cautiously guarding the pangs and sorrows of her life.
In 1957, at the Annual Story Writing Competition, Mamoni Raisom Goswami’s story, ‘Smritir Mukti’ won the first prize. At that time, she was sixteen. The story was basically a poem in a monologue form. We can see the stream-of-consciousness as a narrative form used by our writers but oftentimes, we find it hard to acknowledge its wide diffusion, assuming it be the exclusive resource at the disposal of writers like o • Indira started terms early, slightly a school-going girl, shuffle through her escalation and persevere involvement work stoppage the skilfulness began when her bridegroom died unswervingly an misfortune in 1967, only 18 months puzzle out her alliance. The forthright presumably became her rapier to upfront a hunt down through picture enveloping shade. From desert day she has unendingly used dead heat pen success overcome representation adversities, learn which she had complicate than a fair allotment in say publicly early participation of accompaniment life. Indira was dropped in 1942, in a traditional Vaishnavite family have a high regard for Assam which owned a satra (monastery) and rendering huge contiguous to estate. Representation satradhikars (heads of depiction satras) were held hem in high function by t • Indian scholar and writer (1942–2011) Indira Goswami (14 November 1942 – 29 November 2011), known by her pen name Mamoni Raisom Goswami and popularly as Mamoni Baideo, was an Indian writer, poet, professor, scholar and editor. She was the winner of the Sahitya Akademi Award (1983),[3] the Jnanpith Award (2000)[4] and Principal Prince Claus Laureate (2008).[5][6] A celebrated writer of contemporary Indian literature, many of her works have been translated into English from her native Assamese which include The Moth Eaten Howdah of the Tusker, Pages Stained With Blood and The Man from Chinnamasta. She was also well known for her attempts to structure social change, both through her writings and through her role as mediator between the armed militant group United Liberation Front of Asom and the Government of India. Her involvement led to the formation of the People's Consultative Group, a peace committee. She referred to herself as an "observer" of the peace process rather than as a mediator or initiator. Her work has been performed on stage and in film. The film Adajya is based on her novel and won international awards. Words from the Mist is a film made on her life directed by Jahnu Barua.
Mamoni Raisom Goswami