Mf hussain biography in marathi

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M. F. Husain

Indian artist (1915–2011)

Maqbool Fida Husain (17 September 1915 – 9 June 2011) was an Indian painter and film director who painted narrative paintings in a modified Cubist style.^[2] He was one of the founding members of Bombay Progressive Artists' Group. M.F. Husain is associated with Indian modernism in the 1940s. His early association with the Bombay Progressive Artists' Group used modern technique, and was inspired by the "new" India after the partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and sombre. His themes—sometimes treated in series—included topics as diverse as Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British Raj, and motifs of Indian urban and rural life. In September 2020, his painting titled “Voices”, auctioned for a record $2.5 million.^[3]

Husain's later works have stirred controversy, which included nude portrayals of Hindu deities, and a nude portrayal of Bharat Mata. Right-wing organisations called for his arrest, and several lawsuits were filed against him for hurting religious sentiments. He remained in a self imposed exile from 2006 until his death in 2011, accepting Qatari citizenship in 2010.

In 1967, he received

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Maqbool Fida Husain is one of the greatest modern painters of India. Known to finish a work in one sitting, Husain's lines were drawn directly with a paintbrush, making no room for error once applied. He was a founding member of the Progressive Artists’ Group, which formed in 1947 and looked to combine influences from Indian history with the European avant-garde, a synthesis that is evident in Husain’s paintings.

In 1948, Husain visited the India Independence Exhibition with Francis Newton Souza and was struck by the classical Indian sculptures and traditional miniature paintings from the Rajput and Pahari courts. The artist describes the influence the exhibition was to have on his work "...it was humbling. I came back to Bombay and in '48, I came out with five paintings, which was the turning point in my life. That was the breaking point... to come out of the influence of the British academic painting and the Bengal Revivalist School." (Husain quoted in The Illustrated Weekly of India, December 4-10, 1983).

In addition to Indian mythology, animal symbolism is a recurring theme across Husain’s canvases. The horse was a particularly powerful motif in his oeuvre; the image of the horse is a classic icon in Indian art history, from early miniatures to contemporary sculptures.