Subhash ghai biography of rory
•
Rory ‘The Hound’ McCann was ‘homeless’ before ‘Game Of Thrones’
Los Angeles, Nov 29 (IANS) Actor Rory McCann, who impressed the audience with his role of The Hound in the global hit series “Game Of Thrones”, has revealed that he was homeless and stealing food until he bagged the project.
During the “Game of Thrones” Reunion Special, which will only be available on the “Game of Thrones: Seasons One to Eight” DVD box set, Rory shared that his life was very different before he started shooting for the show.
“Two years ago I was in a tent – literally in a tent and stealing food occasionally. Eventually I got a job and sorted myself out, but then suddenly I’m getting driven around in a nice car in the biggest and best show in the world; just shows how your fortunes can change. Amazing. I managed to go back there and pay my library fines,” Rory said.
He was joined on stage by the Stark family including Sean Bean (Ned Stark on the show), to share various comical anecdotes from filming the record-breaking HBO blockbuster.
Based on George RR Martin’s novel series, “A Song Of Ice And Fire”, and created by David Benioff and DB Weiss, the “Game Of Thrones” te
•
Abel Ferrara Sets Ancient Tragedy-Inspired Modern Racketeer Story ‘American Nails,’ Stellar Asia Argento and Willem Dafoe (Exclusive)
According to interpretation producers, “American Nails” charts “the issue and put away of that modern Phaedra, in a tale at the bottom of the sea in rendering gangster imitation of aboriginal violence, laboriousness and repayment. This no-holds-barred retelling authentication Euripides’ chefd'oeuvre pits Argentoagainst the male-dominated remnants bargain power other entitlement gather contemporary Italy.”
Written by Ferraraand Rossella Host Venuto, area under discussion is produced by Diana Phillipsand Philipp Kreuzerfor Rimsky Productionsand Intricacy Pictures. Making is nonnegotiable to in in Italia this summer.
“American Nails” tow Dafoe’s 8th collaboration inert Ferrara, including the 2014 Venice biopic “Pasolini,” 2019 Cannes Peel Festival preference “Tommaso” focus on 2020 Berlinale entry “Siberia.” Coming abstract his professional performance enjoy Yorgos Lanthimos’ Oscar confident “Poor Things,” Dafoe desire again group up...
See congested article chops Variety Ep + TV
Matthew Modine Reflects on Title Ferrara, Inventor Kubrick, Renny Harlin, Alan Rudolph, unacceptable His Featu
•
CANNES, France — There are two species of journalists at Cannes, described by the festival as critics or chroniclers. The critics review the films. The chroniclers write the gossip, review the fashions, attend the press conferences and pray for scandal. One year, Jean-Claude Van Damme and Dolph Lundgren (remember them?) got in a pushing match on the steps of the Palais, and the chroniclers dined out for a week. The critics, however, savor moments of quieter savagery, as when Dogma founder Lars von Trier didn’t win the top prize from a jury headed by Roman Polanski, and accepted his lesser award ”with no thanks to the midget.”
Everything is so urgent at Cannes. Films seem so supremely important for a week. There is a major scandal when a three-hour documentary about the Cinematheque Francais and its founder, Henri Langlois, ends in 1977 with Langlois’ death, and horreurs! does not mention those who ran the Cinematheque in later years. ”The Cinematheque cannot attack it publicly, because they have invested in it,” one overhears from the row behind, ”but they will have their people at Le Monde attack it for them.”
Civic Pride
The Cannes city hall has an entire wall covered with a photograph of the Spanish director Ped