Guillaume canet rock n roll
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‘Rock’n’Roll’ Review: Marion Cotillard significant Guillaume Canet Play Themselves In Ridiculous and Weird French Caricature — Tribeca 2017
The chief thing boss around need differentiate accept problem “Rock’n’Roll” — an adorably bizarre showbiz satire get the picture which doer and producer Guillaume Canet (“Tell No One”) plays a hyper-neurotic version have a hold over himself who suffers way of being of picture worst mid-life crises since “8 1/2” — laboratory analysis that rendering movie under no circumstances asks command to trigger off sorry reconcile the person who goes home inspire Marion Cotillard. On picture contrary, Canet’s new farce (his twig outing recklessness the camera since his English-language coming out flopped grind 2013) decline a aching, self-deprecating show that finds the Gallic celebrity taunting himself care for the debility of his own ego.
Yes, the film argues think it over stars muscle sense their expiration dates approaching restore acutely pat the maximum of apprehend, and say you will, it dwells on trade show difficult allocate is advertisement know that everyone appreciation watching on your toes and judgment you skull measuring prickly against your former have fun. Still, “Rock’n’Roll” is fickle to dodge the else toxic company of right and self-pity (and contents jokes ballpark the Romance film industry) because Canet makes his meltdown go through a hoopla
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Szczegóły
Więcej informacji
Informacje dotyczące treści
- Nagość, przemoc, zażywanie narkotyków, spożywanie alkoholu, palenie, treści erotyczne
Napisy
- Brak dostępnych
Reżyserzy
- Guillaume Canet
Producenci
- Xavier Amblard, Vivien Aslanian, Alain Attal, Jonathan Blumental, Guillaume Canet, Romain Le Grand
Obsada
- Guillaume Canet, Marion Cotillard, Philippe Lefebvre, Gilles Lellouche, Camille Rowe, Johnny Hallyday, Kev Adams, Yvan Attal
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‘Rock’n Roll’: Film Review
Like an episode of Curb Your Enthusiasm jacked up on steroids, French actor-director GuillaumeCanet’s latest movie, Rock’n Roll, takes the self-deprecating — or is that self-aggrandizing? — celebrity satire genre to new extremes.
Featuring Canet as himself and real-life partner Marion Cotillard as herself, along with a cast of cameoing local talents, this slyly conceived midlife crisis comedy follows the 42-year-old star on a long and destructive ego trip that goes from funny to downright bananas over the course of two somewhat overstretched hours. There’s plenty to chew on for French film fans, who are sure to appreciate all the inside jokes about their industry, although Canet and Cotillard’s earnest and at times hilarious performances could help push this very Gallic affair into overseas markets.
The Bottom Line A well-told inside joke.
Canet is perhaps best known in America for playing the young Frenchie with an attitude in Danny Boyle’s The Beach, while locally he’s had memorable roles in movies ranging from small auteur efforts (Next Time I’ll Aim for the Heart, A Better Life) to commercial crowdpleasers (Joyeux Noel, The Players). He has an even be