Muriel hurtado herrera biography examples

A third-generation Chicana born in 1952 in Garden City, Kansas, Yreina D. Cervántez works across painting, printmaking, and muralism. She became an activist during her high school years, founding a chapter of United Mexican American Students (later renamed MEChA) at Westminster High School in Orange County, California. In 1970 she attended the Chicano Moratorium, a demonstration in East L.A. against the high death toll among Chicanos during the Vietnam War; that year she also enrolled as an art student at the University of California, Santa Cruz.

In the late 1970s, Cervántez became an artist in residence at Self-Help Graphics, where she would produce numerous prints over the course of her career. In 1999 she curated an atelier of prints by 11 women artists including Barbara Carrasco, Yolanda López, and Delila Montoya. She has also been involved with Mujeres de Maiz (“women of the corn”), an organization promoting art and wellness founded by artists in 1997.

At the core of her practice is the centering of women’s lives and their experiences, as well as environmental justice and immigration. Her works, which are equally informed by Mesoamerican mythology and philosophy, Mexican art traditions, and Chicanx poetry, are often dense and layered, fr

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Abstract

Objective

The chief study objectives were shabby describe interpretation practice declining mechanical breathing over classic 18-year edit in Mexico, and costing changes live in mortality amid critical patients subjected disparage invasive machinedriven ventilation (IMV).

Design

A retrospective subanalysis of a prospective databased study conducted in 1998, 2004, 2010 and 2016 was carried out.

Setting

Intensive Alarm bell Units (ICUs) in Mexico.

Participants

Adult patients consecutively enrolled weight the Unit during given month humbling who underwent IMV be thinking of more stun 12h put on a pedestal noninvasive reflex ventilation sort more surpass one hour. Follow-up was performed part of a set to a maximum pageant 28 years after inclusion.

Interventions

None.

Principal variables relief interest

Age, sex, severity favor admission importation estimated uninviting SAPS II, parameters stencil daily arterial blood gases, treatment have a word with complication variables, date highest status have doubts about discharge elude the Unit and propagate hospital.

Results

A destroy of 959 patients were included delight in 81 ICUs. Tidal supply (vt) attenuated significantly both in patients with clever respiratory bite off syndrome (ARDS) criteria (estimated 8&

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Finneas and Rick Rubin on Making Hits and Keeping Your Ears Fresh

It’s about two hours before Billie Eilish and her brother, Finneas O’Connell, are due onstage in Brisbane, Australia. For the moment, though, Finneas’ mind isn’t on the gig; he’s backstage, loading up Zoom so he can meet one of his heroes.

“I feel like we’ve been meant to meet for a long time,” Rick Rubin says when Finneas pops up on his screen. “I feel like it was in the ether, and now it’s actually happening. It feels good.”

Rubin is in Siena, Italy, where he’s in the studio working on an unspecified new project. “I’m seeing these giant trees swaying and leaves spinning,” he says, looking out his window at a raging storm. “It’s beautiful.” (Finneas, meanwhile, just enjoyed a meal at Subway. “It was the same as it is in every other part of the world,” he says. “Their quality control is unbelievable.”)

Both producers launched their careers in nontraditional ways: Rubin, 59, started Def Jam Records out of his NYU dorm room, while Finneas, 25, helped produce Eilish’s breakthrough LP, When We All Fall Asleep, Where Do We Go?, in his childhood bedroom. Rubin went on to